Paintings at Cliveden

Fibre optic lighting can be very closely controlled and dedicated as to its area of coverage by framing 'paddles' incorporated into the optical head. This has an extraordinary impact on paintings, where the drama of pure, 'received' light enhances without distraction.

Once focused and fixed, the perfected light will last, undisturbed by any re-lamping which, of course, is conducted remotely at source.as to the source in a way that no other form of

Light levels to suit the characteristics of each work of art can be adjusted both by dmming at source or by filtration at output, and through the use of variably collimating lenses. The complete absence of UV rays is also a major benefit for proper conservation.